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Marketing
Triumvirate II
Download Marketing

Market Positioning

Triumvirate 2 is positioned as a high-concept geopolitical supernatural thriller aimed at adult audiences 25-60 who respond to political conspiracy, demonic horror, institutional collapse, and character-led action. Set across contemporary Washington, New York, Ethiopia, Colombia and Europe, the screenplay combines the occult menace of The Omen with the institutional-conspiracy engine of Captain America: The Winter Soldier, while retaining the moral temptation and demonic power dynamics associated with The Devil's Advocate. The project is designed for a $20-30 million USD budget range, achievable through controlled international locations and doubles, a concentrated ensemble, practical action, and selective VFX concentrated around the Black Seal, the locust sequence, demonic transformations, and the White House climax. Its mix of political urgency, supernatural spectacle and franchise mythology gives it strong theatrical-trailer value while remaining highly compatible with premium streaming. Triumvirate 2 offers distributors a recognisable genre hook, a complete film-specific conflict, and clear trilogy expansion potential without requiring the audience to understand every element of the wider mythology.

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Comparable Titles – Sales Reference Table

Sales Agent Takeaway

Triumvirate 2 occupies a commercially recognisable space between supernatural horror, political conspiracy and action thriller. Its strongest market advantage is clarity of hook: a demonic U.S. President dismantles democracy while a supernatural adversary and an ex-FBI agent race to stop him. The story can be sold on premise and imagery - the inauguration, the American Renewal Act, the Black Seal, the locust swarm, the CEB Tower rescue and the Serpent transformation - while the emotional core remains character-led. A mid-budget approach keeps the project below studio-tentpole exposure while preserving premium-scale imagery. The sequel structure adds franchise upside, but the Ethen Prest / Black Seal storyline resolves fully within this film, helping buyers position it as a satisfying feature rather than an incomplete bridge chapter.

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Territory-by-Territory Sales Expectations

How Triumvirate Differentiates

Overall Sales Profile (Agent Summary)

  • Primary revenue drivers: North America, UK/Ireland, Germany, Australia/New Zealand, South Korea, France and Latin America.

  • Optimal release pathway: Genre / fantasy festival launch or market premiere -> targeted theatrical in key territories -> premium streaming / broadcaster exploitation.

  • Commercial strength: Immediate one-line hook, recognisable Washington iconography, supernatural spectacle, female co-lead agency, and trilogy upside provide strong trailer and key-art potential.

  • Downside protection: The story can be produced below tentpole scale by concentrating VFX around a limited number of high-impact sequences and doubling international locations where appropriate.

  • Franchise value: The film completes the Ethen Prest and Black Seal storyline while widening the mythology around Hamidi, Meti and Cerberus for a third feature.

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Triumvirate 2 is a high-concept supernatural political thriller combining the demonic menace of The Omen with the institutional-conspiracy momentum of Captain America: The Winter Soldier, designed for adult theatrical and premium-streaming audiences seeking dark, globally scaled genre entertainment with a clear franchise engine.

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​TRIUMVIRATE — One-Slide Finance Waterfall (FEATURE FILM)

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Total Production Budget

£20.0 million

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Supernatural political thriller / action

Contemporary locations • Controlled international doubles • Practical action • Selective VFX • Ensemble-led

Theatrical genre launch + premium streamer crossover

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SOURCES OF FINANCE

*Illustrative only. UK AVEC eligibility, qualifying expenditure and net benefit depend on production structure, certification and tax treatment.

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RECOUPMENT WATERFALL (STANDARD FEATURE MODEL)

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  • Sales Agent Fees & Expenses
    (typically 10–15% of gross receipts)

  • Senior Lenders / Gap Finance
    100% recoupment + agreed premium

  • Equity Investors
    100% recoupment + negotiated uplift (typically 20–30%)

  • Producer Corridor
    (10–20% of net profits)

  • Backend Participation Pool
    Writer / director / key cast

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RISK MITIGATION & COMMERCIAL UPSIDE

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  • Recognisable hybrid genre: political conspiracy + supernatural horror + action thriller.

  • High-impact premise and iconography support trailer, poster and international key-art campaigns.

  • Contemporary setting avoids the cost burden of full period reconstruction.

  • VFX expenditure is concentrated in identifiable showcase sequences rather than continuous spectacle.

  • International settings can be achieved through selective second-unit work and location doubling, reducing travel exposure.

  • The Ethen Prest conflict is complete within the feature, reducing the risk of an unsatisfying "middle chapter" ending.

  • Existing first-film mythology gives sequel / trilogy value while the central premise remains intelligible to new viewers.

  • Strong roles for Ethen, Cathleen, Hamidi, George, Winston and Meti create casting value across multiple age groups.

  • UK-based production may access AVEC subject to certification and qualifying expenditure; qualifying VFX can receive an enhanced expenditure-credit rate under current rules.

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SALES AGENT POSITIONING LINE

Triumvirate 2 is structured as a mid-budget international supernatural thriller with a studio-scale hook: a demon has reached the White House and democracy itself becomes the battleground. By combining controlled production expenditure with premium genre imagery, political urgency and trilogy upside, the project offers buyers a distinctive theatrical/streaming proposition without requiring tentpole-level financial exposure.

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Marketing Hook

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ONE HUNDRED DAYS TO SAVE THE WORLD. A clean campaign line that connects the presidential "first 100 days" convention to the film's countdown structure, while communicating urgency without explaining the mythology.

 

Comparable budgets and worldwide grosses are approximate reported industry figures and are included only as sales-positioning references, not financial projections.

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